WALTZING MATILDA
The essays on the website also provide background material for
A DramaticPresentation.
Some scenarios have been suggested, but students should be free to range
beyond the examples given.
Working within a group will give students opportunity for
social interaction and co-operation will be required to produce a script and stage
instructions.
The choice of scene, dialogue and action should be student initiated, with
teacher supervision of the writing process, allocation of roles, costuming and rehearsals.
The culmination of this activity is the video recording of the production in the Woolshed at the time of the
students’ visit.
This activity fits both cultural and operational strands of the curriculum
and involves using information extracted from the website to make choices and create a
text appropriate to the chosen social context, situation and setting.
A broad range of writing tasks across a variety of genres and audiences is offered in the
Worksheets.
Students must practise both speaking and listening skills to interact with
the guides when gathering the information needed to complete the writing exercises.
Teacher monitoring of responses can reinforce awareness of appropriate form and tone
for the chosen audience.
There is opportunity for students to employ idiom and jargon
appropriate to the speaker they have chosen so that both cultural and operational strands
of the curriculum are addressed by means of speaking and listening and writing and
shaping.
There is a strong cultural emphasis in the exercise where students watch a demonstration
of blade shearing and participate in a discussion of the idiom of the traditional song,
“Waltzing Matilda”.
This is further emphasized by hearing Australian poetry in a setting that gives the humor relevance and sets up necessary follow-up work in the classroom.
Students will be able to deconstruct these and other balladsagainst the background of the reality of the woolshed and an informed awareness of the challenges of rural life.
Discussions in the classroom should move into the critical strand so that the outcome is a rounded view of bush ballads and traditional songs. An informed appreciation of the genre will equip students to write their own poems.
The formal letter of appreciation is a real-life application of writing in another genre so falls into the operational strand.
The context is unambiguous and its relevance obvious Read carefully the essays on this website.
Choose an event or a person from the history of Megalong . Use your selection as inspiration for creating a scene that shows your awareness of the event or character(s).
Working in a small group, write the script and stage instructions for this scene.
Allocate roles and arrange costuming and simple props.
Rehearse the scene you have written.
Examples of suitable scenes could be:
AT THE BUSHRANGERS HUT ON STRINGYBARK RIDGE:
Present the scene you have scripted and rehearsed as a performance for your class and
teacher(s).
Once the children have gathered they will be approached by "the troopers" who are tracking down the bushrangers who held up the gold transport. The children will be asked if they would like to help in this task and taken on a walk to the one of the bushrangers houses to search for the stolen gold. Once there there will be some dialogue with the bushrangers wife, she will invite the children to sit round the campfire and make some damper and have a cupp a billy tea. While they are sitting round the children will be asked to sing waltzing matilda and the words of the song will be explained to them using a flip board.
|
Once a
jolly swagman
camped by a billabong, Down came
a jumbuck
to drink at the billabong: Up rode a
squatter,
mounted on his thoroughbred; Up jumped
the swagman and sprang into the billabong; |
|
*
swagman:
an intinerant farmhand, carrying his "swag" (his blankets) rolled into a
cylinder |
STORYLINE WRITING TASK
Imagine that you are the occupant of the hut; give yourself a name and background.
Think who else would be in your family. Try to imagine your mum or dad or nana living in those days.
As this person, write one of the following:
(a) A letter to your employer, giving details of the conditions under
which you work and requesting improvements to these.
(b) A diary entry describing a day in your life and your thoughts on that
day.
(c) A letter to your mother who lives in England, telling her what you are
doing and where you are employed.