Since the 1840s there has been an unbroken link between horses and the impenetrable Blue Mountains. The early explorers, the cattlemen, the bushrangers, the goldminers and the adventurers, have all taken to horseback to access and traversed over the the Western Road - up and over the Blue Mountains. Henry Lawson was such a traveller, born in 1867, on a goldfield in rural New South Wales. His father was mining there, and times were tough.
To keep some money coming in, his father started building small cottages at Mt Victoria. When his father passed away Henry Lawson come from the city to complete the unfinished buildings. Much of his inspiration came from the Australian bush, and its people. Because he'd known the hardships of bush life Henry Lawson could understand its ways. He fell in love with another writer, Mary Gilmore. whose grandfather had built Mead Farm at Little Hartley, but she didn't want to marry him. He's now widely recognized as Australia's poet of the people.
Henry Lawson was a truly quntinessential Australian poet and writer. Many believe he was the first poet to capture the Australian way of life and today, Henry Lawson's work is an inspiration to many Australians
The Blue Mountains
Henry Lawson
1888
Above the ashes straight and tall,
Through ferns with moisture dripping,
I climb beneath the sandstone wall,
My feet on mosses slipping.
Like ramparts round the valley's edge
The tinted cliffs are standing.
With many a broken wall and ledge,
And many a rocky landing.
And round about their rugged feet
Deep ferny dells are hidden
In shadowed depths, whence dust and heat
Are banished and forbidden.
The stream that, crooning to itself,
Comes down a tireless rover,
Flows calmly to the rocky shelf,
And there leaps bravely over.
Now pouring down, now lost in spray
When mountain breezes sally,
The water strikes the rock midway,
And leaps into the valley.
Now in the west the colours change,
The blue with crimson blending;
Behind the far Dividing Range,
The sun is fast descending.
And mellowed day comes o'er the place,
And softens ragged edges;
The rising moon's great placid face
Looks gravely o'er the ledges.
When Henry Lawson was nine years of age, he got an ear infection and went partly deaf. By the time he was fourteen years old he was totally deaf. The kids at school tormented Henry and he became more of a loner. But his made him even better at observing people...looking at the way they act.
One of his most famous poems is about just watching people in the street...
"I look in vain for traces of the fresh and fair and sweet, in sallow, sunken faces that are drifting through the street. Drifting on, drifting on, to the scrape of restless feet; I can sorrow for the owners of the faces in the street."Lawson was a regular contributor to the Bulletin newspaper as was Banjo Paterson. A series of verses and other writers were published where Lawson and Paterson debated their different perspectives on the Australian bush - Lawson claiming Paterson was a romantic, and Paterson claiming Lawson was full of doom and gloom.
The Man From Snowy RiverBanjo' Paterson |
The Man from Snowy River is one of Australia's most famous poems written by one of Australia's most famous poets, Andrew Barton (Banjo) Paterson.
The poem tells the story of a valuable horse which escapes and the princely sum offered by its owner for its safe return. All the riders in the area gather to pursue the wild bush horses and cut the valuable horse from the mob. But the country defeats them all - except for The Man from Snowy River. His personal courage and skill has turned The Man into a legend.
It is thought that Paterson based the character of The Man on Jack Riley from Corryong, although this is often disputed with the argument put that Paterson created a composite character from a number of people he met.
Every year The Man from Snowy River Bush Festival is held in April at Corryong. It celebrates the heritage of the high country with Riley's Ride, bush poetry, a parade, a wine and food festival and much more.
The poem spawned two movies, "The Man from Snowy River" and "Return to Snowy River" as well as a TV series "Snowy River: The MacGregor Saga".
People loved Banjo’s poems. "Saltbush Bill", "The Man from Ironbark" and "Clancy of the Overflow" became part of Australia’s folklore literature. But Banjo became bored with city life. He wanted adventure.
So in 1899 at the age of thirty-five he went to Africa and worked as a war correspondent in the front lines of the Boer War.
The Man From Snowy River
Banjo' Paterson
There was movement at the station, for the word had passed around
That the colt from old Regret had got away,
And had joined the wild bush horses, he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.
There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up,
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand,
No better horseman ever held the reins;
For never horse could throw him while the saddle-girths would stand,
He learnt to ride while droving on the plains.
And one was there, a stripling on a small and weedy beast,
He was something like a racehorse undersized,
With a touch of Timor pony, three parts thoroughbred at least,
And such as are by mountain horsemen prized.
He was hard and tough and wiry, just the sort that won't say die
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye,
And the proud and lofty carriage of his head.
But still so slight and weedy, one would doubt his power to stay,
And the old man said, `That horse will never do
For a long and tiring gallop, lad, you'd better stop away,
Those hills are far too rough for such as you.'
So he waited sad and wistful, only Clancy stood his friend,
`I think we ought to let him come,' he said;
`I warrant he'll be with us when he's wanted at the end,
For both his horse and he are mountain bred.
`He hails from Snowy River, up by Kosciusko's side,
Where the hills are twice as steep and twice as rough,
Where a horse's hoofs strike firelight from the flint stones every stride,
The man that holds his own is good enough.
And the Snowy River riders on the mountains make their home,
Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam,
But nowhere yet such horsemen have I seen.'
So he went, they found the horses by the big mimosa clump,
They raced away towards the mountain's brow,
And the old man gave his orders, `Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills.'
So Clancy rode to wheel them, he was racing on the wing
Where the best and boldest riders take their place,
And he raced his stock-horse past them, and he made the ranges ring
With the stockwhip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stockwhip with a sharp and sudden dash,
And off into the mountain scrub they flew.
Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And the stockwhips woke the echoes, and they fiercely answered back
From cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Where mountain ash and kurrajong grew wide;
And the old man muttered fiercely, `We may bid the mob good day,
NO man can hold them down the other side.'
When they reached the mountain's summit, even Clancy took a pull,
It well might make the boldest hold their breath,
The wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip was death.
But the man from Snowy River let the pony have his head,
And he swung his stockwhip round and gave a cheer,
And he raced him down the mountain like a torrent down its bed,
While the others stood and watched in very fear.
He sent the flint stones flying, but the pony kept his feet,
He cleared the fallen timber in his stride,
And the man from Snowy River never shifted in his seat,
It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, on the rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound,
At the bottom of that terrible descent.
He was right among the horses as they climbed the further hill,
And the watchers on the mountain standing mute,
Saw him ply the stockwhip fiercely, he was right among them still,
As he raced across the clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges, but a final glimpse reveals
On a dim and distant hillside the wild horses racing yet,
With the man from Snowy River at their heels.
And he ran them single-handed till their sides were white with foam.
He followed like a bloodhound on their track,
Till they halted cowed and beaten, then he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.
And down by Kosciusko, where the pine-clad ridges raise
Their torn and rugged battlements on high,
Where the air is clear as crystal, and the white stars fairly blaze
At midnight in the cold and frosty sky,
And where around the Overflow the reedbeds sweep and sway
To the breezes, and the rolling plains are wide,
The man from Snowy River is a household word to-day,
And the stockmen tell the story of his ride.
Another poet of Australia sums up the bush...and the words of Banjo Patterson's poem comes to mind…I found myself drifting off in my thoughts, back to the high country, back to Clancy, back to the sharp, clean air, the pungent scent of gum.
"I am sitting in my dingy little office, where a stingy ray of sunlight
struggles feebly down between the houses tall, and the fetid air and gritty of
the dirty, dusty city, through the open window floating, spreads its foulness
over all.
And in place of lowing cattle, I can hear the fiendish rattle of the
tramways and the buses making hurry down the street; And the language uninviting
of the gutter children fighting comes fitfully and faintly through the ceaseless
tramp of feet.
And the hurrying people daunt me, and their pallid faces haunt me as they
shoulder one another in their rush and nervous haste, with their eager eyes and
greedy, and their stunted forms and weedy, for townsfolk have no time to grow,
they have no time to waste.
And I somehow rather fancy that I'd like to change with Clancy, like to take a turn at droving where the seasons come and go, while he faced the round eternal of the cash-book and the journal but I doubt he'd suit the office, Clancy of the Overflow."
Clancy of the OverflowBanjo' Paterson |
| I had written him a letter which I had, for want
of better Knowledge, sent to where I met him down the Lachlan, years ago, He was shearing when I knew him, so I sent the letter to him, Just `on spec', addressed as follows, `Clancy, of The Overflow'. And an answer came directed in a writing
unexpected, In my wild erratic fancy visions come to me of
Clancy And the bush hath friends to meet him, and their
kindly voices greet him I am sitting in my dingy little office, where a
stingy And in place of lowing cattle, I can hear the
fiendish rattle And the hurrying people daunt me, and their
pallid faces haunt me And I somehow rather fancy that I'd like to
change with Clancy, |